Stage Director Timothy Nelson has directed over 70 productions of opera and theater throughout the United States and Europe. The Baltimore Sun and The New York Times have both referred to Nelson as “The Future of Opera.” He recently directed the Nederlandse Reiopera's highy acclaimed production of Le Pecheurs de Perles and the Barbican's L'Incoronazione di Poppea. Upcoming projects include Orphee et Eurydice for Opera Grand Rapids; La Calisto for the English Touring Opera’s UK National Tour; The Fairy Queen for the Iford Arts Festival in Bath, England; and The Lighthouse for the Armel Opera Festival in Budapest. Recent projects have included Il Ritorno d'Ulisse in Patria for the Academy of Ancient Music and Barbican Theatre in London; and Ballo in Maschera for the Iford Arts Festival.
From 2002-2012, Nelson served as Artistic Director of the American Opera Theater, directing and designing a diverse body of productions including baroque masterpieces Messiah, La Calisto, and Jephtha. Nelson also directed the American premiers of La Didone and David et Jonathas at the Brooklyn Academy of Music, and a national tour of his acclaimed circus production of Acis and Galatea. Other work includes productions of Rigoletto and Madama Butterfly for Sardinia's Festival Ente Concerti, Aureliano in Palmira for the famed Festivale della Valle d'Itria in Martina Franca, Riders to the Sea for Amsterdam's Grachtenfestival, La Voix Humaine for the Residentie Orkest of the Hague, and Giulio Cesare for Opera London. Nelson is a frequent guest of the Nederlandse Reisopera, where he has directed and designed productions of The Lighthouse and the theater piece Figaro in Four Quartets.
Nelson served as Artistic Director of the Netherlands Opera Studio where he directed and designed productions of Don Giovanni, La Boheme, Pelleas et Melisande, and The Rape of Lucretia. He is currently Artistic Director of Nieuwe Stemmen of the Rotterdam Operadagen and of the Accademia Europea dell'Opera, where he has directed and designed Les Dialogues des Carmelites, Die Zauberflote, Il Ritorno d'Ulisse in Patria, Cosi fan Tutte, and Alcina.” Other guest credits include work for Bard College, Georgetown University, Indiana University, Oberlin College, Royal Hague Conservatory, and Peabody Conservatory.